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Untying the Knot by Linda Gillard

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Offline sujay Reading The Glass Guardian by Linda Gillard
19 Mar 2012, 09:56 AM | Post: #11

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RE: Untying the Knot by Linda Gillard

To say that rejection was a tale of two halves is putting it mildly. Everything in the first paragraph is full of praise and encouragement, then in the second they kick it well and truly into touch!

I would much rather read something that is "beautifully written" with a "gentle, insightful quality" that I can relate to, rather than the some of the trash that you find on the bookshop shelves nowadays. Why does something have to have the shock factor in order to succeed, some of us like to savour something of brilliance rather than being shocked or frightened to the core.
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Offline Linda Gillard Reading JANE EYRE by Charlotte Bronte
19 Mar 2012, 11:09 AM | Post: #12

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RE: Untying the Knot by Linda Gillard

And it's not as if there aren't very successful precedents for well-written, intelligent books that aren't lurid & sensational - Alexander NcCall Smith, Anita Brookner, Carol Shields, Anne Tyler, Penelope Lively, Anita Shreve...

I was interested to see that Joanna Trollope's latest covers the same ground as UTK - a military marriage under pressure because of his PTSD. (JT chronicles the stuff that I used just as back story.) Clearly JT and I think this is an important issue, but she found a publisher for her book because she's Joanna Trollope.

And that's what my rejecting editor wasn't honest (or unkind) enough to say. "Gentle insightful quality" and "beautiful" writing are only marketable commodities if you are a proven bestseller.

So thank God for Kindle, word-of-mouth recommendations and readers who are no respecters of literary reputations or the bottom line!
Offline Susanne Reading I Woke Up This Morning by Stuart Ayris
19 Mar 2012, 11:30 AM | Post: #13

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RE: Untying the Knot by Linda Gillard

You have just mentioned some of my favourite women authors, Linda, - Carol Shields, Anne Tyler, Anita Shreve - and not forgetting our own Elizabeth Jane Howard, Sue Gee, Margaret Forster, Kate Atkinson - amongst others. And I put your books up there with these writers. It makes me mad - don't publishers realise that many women (and men) want to read good quality contemporary fiction.

Had I first come across one of your books in an airport shop or on the tables of Waterstones, I would have grabbed it - and so would many others, I think. Luckily, I found you on Kindle! Smile
A book is like a garden carried in the pocket. ~Chinese Proverb
Offline Linda Gillard Reading JANE EYRE by Charlotte Bronte
19 Mar 2012, 11:45 AM | Post: #14

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RE: Untying the Knot by Linda Gillard

Thanks, Susanne, you are very kind. I certainly think it was my admiration for Forster that taught me about writing page-turners. (Write sentences so fluent & elegant that readers can't stop reading long enough to ask if they need a coffee or a pee.) Start SHADOW BABY and you'll be in for a long night!

I think publishers have no idea how to market "good writing". "Beautifully written" as a phrase does not set the pulse racing, but good writing is what keeps people turning pages and if you ask any reader what they're looking for, they'll probably say, fairly soon, "good writing". (Even if it's a comfort read we want it to be competently written. Why do we read Wodehouse if not for the pyrotechnical brilliance of the writing?) But how do you sell that?

Well this is one way....

"It blew my socks off. I literally could not put it down. I read it in bed. I read it while I was cooking lunch. I read it while I was eating lunch. I walked to the sofa, book in hand, and read it till it was finished.

This book is many things - a love song to North Uist, an enquiry into exactly how art is made (without destroying the art with the enquiry), a thing of beauty, a tug on the heart-strings (I was terrified that something was going to happen to one of these characters that I grew to love), a hymn of praise to the damaged, to the incomplete, a wonderful thing of hope.

And it made me want to take up my sewing again."


That's from an Amazon review of EMOTIONAL GEOLOGY written by a BookCrosser librarian. It is a superb piece of marketing and I lifted it and put it on my website. You can sell good writing but you need a good writer to do it.
Offline Linda Gillard Reading JANE EYRE by Charlotte Bronte
19 Mar 2012, 01:04 PM | Post: #15

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RE: Untying the Knot by Linda Gillard

Thanks, Susanne, for posting the 5-star Amazon review for UTK. Groovy

I was really pleased to read it was very much your favourite, especially as the previous Amazon review was entitled "Enjoyable but not her best"!
Offline Dorte Hummelshoj Reading Winterlude by Quentin Bates
20 Mar 2012, 07:00 PM | Post: #16

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RE: Untying the Knot by Linda Gillard

Linda, that is so true, and it is a great advantage for those of us who have never been able to persuade a publisher our novels had ´commercial appeal´, that more and more authors with contracts now self-publish for one reason or the other. (Was that clear? I´ve just suffered from a terrible flu).

Self-publishing is brand-new in Denmark, but recently an editor actually noticed that my Danish debut had done well (# 18 on an important bestseller-list during Christmas), but what did he say? That I was still far from Amanda Hocking who sold 1.5 million e-books before she was discovered by a proper company. I just shook my head, but honestly, how many writers out of a population of c 6 million people could sell 1.5 copies of a debut, especially one of those new-fangled e-books. Screwloose

Good luck to you and your great books!

Dorte H.
Writer of traditional crime fiction. My blog

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Offline Linda Gillard Reading JANE EYRE by Charlotte Bronte
26 Mar 2012, 06:09 PM | Post: #17

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RE: Untying the Knot by Linda Gillard

(20 Mar 2012 07:00 PM)Dorte Hummelshoj Wrote:  Linda, that is so true, and it is a great advantage for those of us who have never been able to persuade a publisher our novels had ´commercial appeal´, that more and more authors with contracts now self-publish for one reason or the other.

Hi Dorte! Nice to see you here.

I've decided to go for good. Last week I asked my agent to withdraw the manuscript currently doing the rounds with editors. I thought I could sit and wait 9-12 months (or longer) for everyone to reject it, or I could take matters into my own hands and make a positive decision to reject them. (Ooh, that felt good.)

Do you know about the Alliance of Independent Authors? It's a professional organisation being launched at the London Book Fair in April. I'll be one of the authors speaking. For more details of the AIA see http://allianceindependentauthors.org/
Offline Dorte Hummelshoj Reading Winterlude by Quentin Bates
26 Mar 2012, 06:48 PM | Post: #18

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RE: Untying the Knot by Linda Gillard

Hi Dorte! Nice to see you here.

I've decided to go for good. Last week I asked my agent to withdraw the manuscript currently doing the rounds with editors. I thought I could sit and wait 9-12 months (or longer) for everyone to reject it, or I could take matters into my own hands and make a positive decision to reject them. (Ooh, that felt good.)

Do you know about the Alliance of Independent Authors? It's a professional organisation being launched at the London Book Fair in April. I'll be one of the authors speaking. For more details of the AIA see http://allianceindependentauthors.org/

[/quote]

Good decision!
I have bookmarked AIA and will think about it - but with my current income from my books, $ 99 is a bit much.
Writer of traditional crime fiction. My blog

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